Surprises abound when thoughtful musicians indulge in a bit of mischief and mayhem! The first symphony that Shostakovich composed as a frisky teenager crackles with dark humor and cheeky irony. Pianist Jonathan Biss, a virtuoso of the highest order, approaches his craft with a scholar’s curiosity and a raconteur’s knack for captivating the minds and ears of his audience. He asked Caroline Shaw, the multi-talented composer and performer who became the youngest ever winner of the Pulitzer Prize for Music in 2013, to compose this concerto as a response to Beethoven, an endeavor that calls for a healthy balance of sanctity and whimsy.
Pre-concert Talk presented one hour prior to each performance. Free with ticket purchase.
Ask the Artist
Ask the Artist to follow the Saturday night concert. Free with ticket purchase.
1 hour, 22 minutes
1 hour, 30 minutes prior to performance
S. Mark Taper Foundation Auditorium - Benaroya Hall
French conductor Ludovic Morlot has been Music Director of the Seattle Symphony since 2011. Among the many highlights of his tenure, the orchestra have won three Grammy Awards and gave an exhilarating performance at Carnegie Hall in 2014, as reported in The New York Times: “The performance Mr. Morlot coaxed from his players was rich with shimmering colors and tremulous energy.”
Jonathan Biss was born in 1980; his professional debut preceded this event by several months, when he performed, prenatally, the Mozart A Major Violin Concerto at Carnegie Hall, with the Cleveland Orchestra under the direction of Lorin Maazel.
Watermark (World Premiere and Seattle Symphony commission)
Symphony No. 1
Jonathan Biss' performances are generously underwritten by Betty Graham through the Seattle Symphony's Guest Artists Circle.