Pierre Boulez and Luciano Berio challenge the boundaries of musical possibility in two works of daring virtuosity. Boulez’s Sur incises is a riot of color, filled with spectacular energy and drama. Berio’s more introspective Circles reaches for new heights of expression, uniting sound and gesture into music of enigmatic beauty.
French conductor Ludovic Morlot has been Music Director of the Seattle Symphony since 2011. Among the many highlights of his tenure, the orchestra have won three Grammy Awards and gave an exhilarating performance at Carnegie Hall in 2014, as reported in The New York Times: “The performance Mr. Morlot coaxed from his players was rich with shimmering colors and tremulous energy.”
Maria Männistö, “one of the most hauntingly beautiful voices I have heard in years,” (Seattle Times), moves comfortably among a wide range of musical styles to international acclaim.
Matthew Decker begins his position as Assistant Principal Timpanist/Section Percussionist in the Seattle Symphony in the 2016–2017 season. Before joining the Seattle Symphony Decker spent two seasons as the Assistant Principal Percussionist of the North Carolina Symphony.
Valerie Muzzolini is Principal Harp of the Seattle Symphony, a position she has held since the age of 23. In demand both nationally and internationally, she has performed as guest principal harp of both the Orchestre Philharmonique de Radio France and the Nice Philharmonic, and has appeared with The Philadelphia Orchestra. As soloist, she has performed with the Seattle Symphony, Nice Philharmonic and Vancouver Symphony.
[untitled] series is generously underwritten by the Judith A. Fong Music Directors Fund. [untitled] 2 is presented as part of the Seattle Symphony’s New Music WORKS initiative, which is supported in part by a grant from the National Endowment for the Arts. New Music WORKS features commissions, concerts and educational activities that use composition as a catalyst for collaboration and engagement in music.